Interview with Gina Lineé - New Age Notes Magazine

Gina Leneé is one of the most elegant, classy women in the New Age music business. And, along with that, she’s a fabulous pianist and composer as well as a philanthropist. After a very long hiatus from recording and releasing music, she has returned. We are so excited to have been able to have had the opportunity to check in with her and find out the scoop.

Gina, it’s been a long while since you’ve released a new album , “Bloom .” Why this new music at this particular time?

It has been a long time—seven years! Honestly, it just felt like it was time. “Bloom” came out of a season where everything in my life got really real— trauma, grief, letting go, healing. . .and eventually finding hope again. After going through one of the hardest chapters of my life, I needed the refuge of my piano once again, and the music just arrived. The album is an emotional arc that begins with “Mountain,” a challenge that seems insurmountable, to “A Moment After Midnight,” when the first glimpse of hope appears, to “Bloom,” a celebration of resilience and rebirth, and finally, finding joy again.

You’ve mentioned the music on “Bloom” is a personal journey. Do you care to give us a little insight on this?

I think Bloom is just the starting point. When you go through something hard and come out of it still open, you realize it’s not just for you—it’s meant to be shared. I’d really love to take this music into spaces where people are healing—retreats, wellness events, faith-based gatherings—places where people are searching for peace. If anything I’ve been through, or anything in this music, helps someone feel less alone or a little stronger, then it all has purpose.

You started playing the piano at 4 years old. Tell us this story.

Music just kind of found me. At four years old, I’d sit at the piano and start figuring things out by ear. It never felt like work—it just felt natural. I grew up in a home where music and faith were a big part of life, so the piano became this place where I could express what I was feeling, even as a kid. I’ve always connected to music emotionally first, and that’s still how I play today.

Were you ever in band or orchestra in high school?

In 7th and 8th grade, I was in band, but since there wasn’t a piano, I played bells and chimes. My path has always been a little different. I stuck with piano and just kept developing my style by ear outside of traditional programs. Looking back, I think that helped me really find my own sound.

Did you ever have a career in anything else besides music?

I devoted most of my career to working in nonprofits—from granting wishes to coordinating events, including black-tie galas, golf tournaments, and more. I loved the patient families I helped, and some of the most fulfilling moments in my life were during those years. Once I was able to focus on my music and renovating my home, it was a natural fit to combine all the things I love: Music, events, and making a difference.

I find it interesting that you don’t read music —but did you know there are many musicians who don’t? Playing by ear gives you the opportunity to truly play from the heart. You have one of the most beautiful, velvety touches on the keys I’ve ever seen. My first piano teacher was completely blind, and he taught me something I’ve never forgotten —he said we don’t need to see the music; we feel it. Do you ever think you’d want to learn how to read music? And do you think that would change anything about your com posing or playing?

I love that so much—that really resonates with me. Playing by ear has always kept me connected to the feeling of the music. I don’t feel limited at all—it’s actually how everything I write comes to life. It’s very instinctive. I’m always open to learning, but I wouldn’t want to lose that natural connection. If anything, I’d only want to add to what I already do, not change it.

How many albums have you recorded?

“Bloom” is my ninth studio album and a return to my solo piano beginnings. I’ll be releasing my tenth album by the end of this year. I hope to continue bringing my listeners new music for many years to come.

Do you have a favorite?

“Red Diamonds” is probably the one that stands out the most for me. Getting to work with Will Ackerman and Tom Eaton was beyond anything I ever imagined. And not just the music—they’re such incredible people, along with all the musicians on that album. It really meant a lot to be part of that. That project opened a lot of doors for me, and I feel like my career really took a big step forward there. I was also so honored to have artists like Premik Russell Tubbs, Jeff Haynes, Jeff Oster, Charlie Bisharat, Michael Manring, Jill Haley, Noah Wilding, and Eugene Friesen on it. Winning the 2018 Enlightened Piano Radio Award in Berlin—and performing there— was definitely a highlight.

Tell us about The Harmony House . What is it? And what is the purpose of Harmony House now?

It’s my primary residence, shared with Scooter, my 15-year-old Yorkie, and my roommate, an accomplished musician and instructor. From time to time, we host private events like weddings, showers, and corporate events. I also partner with concert promoters to bring musical acts of all genres into the space for intimate concerts and gatherings. I love creating experiences where people can truly connect with the music. Harmony House was really a labor of love. It’s a home that was previously owned by Jeff Hall, my first record producer and a local musician. After his passing, it was for sale, and I immediately fell in love with the home. As I walked through it, it had this energy and potential to become a space for music and connection. It wasn’t just about renovating a house—it was about creating a place where people could gather and experience music in a really intimate way. Jeff had a way of bringing people and musicians together, and I wanted to continue his legacy of supporting artists and the art they create. I think he would be glad the home is still full of music and connection.

Was it hard to renovate?

Yes, definitely challenging at times—but also really rewarding. Older homes always come with surprises. It took about a year to get it to where I felt it was ready to host our first concert. It’s constantly evolving as well. This past year, I created a floral medallion in the front yard with a treble clef design as the centerpiece.

Were you hands-on in the renovation?

My hands—and my heart—were ALL in the renovation. I moved into the job site and began clearing out old items, removing layers of wallpaper and flooring. With the help of really great friends, the demo got done and the first stages of renovation began. I hired professionals for electrical, plumbing, and things above my skill level. But I created the design, the feel of the space, and all the little details. I wanted it to feel warm, beautiful, and most of all, welcoming.

What do you like best about living in Fresno, CA?

Simply put—it’s all about my family and closest friends. My youngest daughter lives in my neighborhood, and I’m fortunate to have both my parents close by. Fresno has been my home for decades, and although it’s a big city, I appreciate the sense of community. It feels real and grounded, and it gives me space to create. I do see myself sharing time between California and Europe in the near future.

What do you like best about giving concerts?

The connection, for sure. Being in a room where everyone is listening and feeling it together—it’s really powerful. I’m grateful for every opportunity I have to perform, to share my music, and to create a meaningful experience.

You recently performed a concert in Spain. What did you like best about Spain?

Spain was just beautiful—the architecture, culture, the people, the energy. And performing there was amazing. It really reminded me how music connects, no matter where you are.

Where would you like to go next?

I’ve promised Madrid I will come back in one year. I’m planning to expand my Europe tour to include London, Paris, and Lisbon. I’d love to keep performing in different parts of the world and reach new audiences. There’s something really special about sharing music across cultures.

Tell us about your scholarship fund and “Under the Same Sky.”

My background in nonprofit event planning and my desire to make a difference in my community were at the heart of creating the Under the Same Sky concert. I chose Break the Barriers as the recipient of the funds raised. It was important to create a multi-sensory experience for all audiences, including those with visual or hearing limitations. We incorporated live painting, dance, and visual elements alongside the music to create something immersive and inclusive. It was truly a one-of-a-kind evening. I’d love to create more concerts like these and partner with organizations that deserve support. The scholarship fund is also very close to my heart—it’s about helping others pursue music and creativity. Both initiatives are about connection, healing, and creating meaningful experiences.

Anything you’d like to add?

Just gratitude—for the journey, for the people who listen and support, and for the chance to share something meaningful. “Bloom” is really an invitation to trust your own process, even in the hard seasons. I’d love for listeners to connect with me and share their stories of hope and resilience so we can build a community of support and inspiration. I also invite organizations to reach out if they’d be interested in having me perform. Dyan, I want to thank YOU for the opportunity to share my music with your audience. I truly appreciate your dedication to artists like me and supporting the art we create.